Bison Kaalamaadan Review – Good Film with Stellar Performances

Filmmaker Mari Selvaraj has consistently drawn inspiration from real-life events, weaving them into films grounded in realism. This film is latest to join the league as it is yet another real-life incident for the screen. Dhruv Vikram, who has yet to enjoy a major release, takes on the lead role, bringing intensity and commitment to the character. The supporting cast features Anupama Parameswaran, Lal, Pasupathi, and several others, each contributing depth and nuance to the narrative. Let us delve into the Bison Kaalamaadan Review.

Synopsis

The film opens in Japan, where Dhruv Vikram secures his place in the Kabaddi Asia Cup finals. As the story unfolds, intercuts between the present and his past reveal the emotional journey of an underdog protagonist determined to transform his life through his passion for Kabaddi.

Performances

In every frame, Dhruv Vikram reminds us of his father, Chiyaan Vikram. His appearance is convincing, yet he carefully avoids direct imitation, establishing himself as a performer in his own right. He excels as a Kabaddi player, and his action sequence during the bus fight stands out as one of the film’s major highlights.

Pasupathi delivers a show-stopping performance as an affectionate father, with a well-crafted characterisation that resonates deeply. Lal brings an intriguing dimension to his role, and his special bond with Dhruv is convincingly portrayed. Anupama Parameswaran takes on a role distinct from her previous work, adding freshness to the narrative. Ameer makes a brief but impactful appearance, while Aruvi Madhan impresses as the P.E. teacher, showcasing precise and engaging acting.

Analysis

Director Mari Selvaraj draws inspiration from real-life incidents and delivers a commendable effort with Bison Kaalamaadan. He crafts the writing with precision, and the screenplay generally engages, though it occasionally loses rhythm. A trimming of 15–20 minutes could have enhanced the pacing. Additionally, the film features intense violence; Mari Selvaraj will need to moderate this in future projects to retain appeal among family audiences.

Nevertheless, the characterisations and writing remain strong. Moreover, he effectively weaves in a subtle yet impactful message on caste and unity, ensuring the theme resonates without becoming preachy.

Technical Aspects

Nivas K. Prasanna delivers an outstanding musical score that elevates the film’s tone. The cinematography and editing maintain a strong visual flow, while the stunt sequences thrill with precise and brilliant choreography. However, a humble suggestion to Mari Selvaraj: avoid adopting the black-and-white style reminiscent of Oppenheimer in future projects.

Overall, Bison Kaalamaadan review concludes citing it as a film that hits hard. It avoids overtly preaching about caste or unity, yet engages the audience through sharp writing, well-drawn characters, and compelling storytelling.