Oho Enthan Baby – A Romantic Ode Wrapped in a Filmmaker’s Tale

Oho Enthan Baby opens on a playful and meta note—newbie filmmaker Rudra walks into actor Vishnu Vishal’s house, eager to narrate a script. The first pitch fails to impress, but Vishnu gives him another shot: “Tell me a love story.” What unfolds is Rudra’s own journey through love, told in three distinct chapters of his life. Whether this personal tale wins over Vishnu or not becomes the film’s emotional core.

Director Krishna, known for his work in ad films and as an actor, marks an impressive debut here. He deftly blends romance, relationships, family dynamics, and subtle humour into a cohesive 134-minute narrative that rarely loses its grip. The screenplay moves from teenage crushes to mature love with fluid transitions, each phase offering its own flavor and emotional depth. A major turning point comes just before the interval, when Vishnu Vishal lays down a condition—an unexpected moment that shifts the tone and raises the stakes.

Being an ad filmmaker, Krishna brings a distinct visual finesse, making each frame aesthetically pleasing. This eye for detail becomes a huge asset in conveying mood, especially in romantic and introspective moments.

The cast, though largely fresh faces, delivers convincingly. Rudra, in his debut, pulls off the three phases of his character with surprising confidence—from a lovestruck teen to a wiser, reflective man. Mithila Palkar, already a recognized face in Indian OTT space, makes her Tamil debut here and is a revelation. As a doctor, she exudes charm, maturity, and emotional intelligence, stealing every frame she’s in.

Karunakaran, as Rudra’s ‘Chiththappu’, becomes the emotional anchor. His quiet strength and light-hearted moments offer depth and relief. Vijay Sarathy and Kasthuri, as Rudra’s parents, deliver understated, grounded performances.

Vishnu Vishal’s cameo is interesting and adds weight to the narrative. He conveys emotions effectively in key moments, especially during the turning points in the story narration.

Mysskin, as himself, adds another layer of intrigue. His moonlit monologue about his next film shoot is particularly captivating—reflective, quirky, and unforgettable.

Harish Kannan’s cinematography is a visual treat. Be it nostalgic school corridors or breezy beachside evenings, every frame looks crafted with care. Jen Martin’s music, while decent, could’ve had more emotional weight in key scenes. The songs are functional but don’t linger.

Oho Enthan Baby is a feel-good romantic drama that smartly uses the ‘film within a film’ trope without becoming self-indulgent. It blends humour, heartache, and hope with charm. Despite minor shortcomings, it’s a refreshing and sincere debut from Krishna, making it worth your time.