Thamma Review – Toothless Attempt at a Darkly Romantic Fantasy

Ayushmann Khurrana’s latest outing, Thamma, directed by Aditya Sarpotdar, dares to merge gothic horror with bittersweet romance. Yet, despite its lofty ambitions and the allure of Maddock Films’ famed horror-comedy universe, the final product feels curiously lifeless. For a film about vampires, it drains more energy than it delivers. Here’s our Thamma Review.

Synopsis

The story follows Alok (Ayushmann Khurrana), a man cursed to become a mythical being called Baital, a creature that survives on human blood. Within this macabre premise lies a tender love story involving Rashmika Mandanna’s character, meant to evoke empathy and dread in equal measure. However, Thamma Movie Review must admit that the execution seldom meets the emotion. The pacing lingers in the first half, and though Sarpotdar, fresh from Munjya, tries to maintain intrigue, the narrative falters under its own ambition.

Analysis

Transitioning into the romantic arc, the chemistry between Ayushmann and Rashmika is sporadic at best. While certain moments carry charm, their emotional depth dissolves too quickly. Nawazuddin Siddiqui, who plays the villainous Yakshasan, fares even worse; his role, stripped of menace and mystery, feels like an exaggerated parody rather than a formidable antagonist.

Moreover, the supposed Bhediya universe connection appears more decorative than organic. It resurfaces only when Varun Dhawan’s cameo revives the flagging momentum—a brief spark in an otherwise dim narrative. These transitions between tones—horror, humour, and heartbreak—lack cohesion, making the film’s rhythm inconsistent and emotionally hollow.

Technical Aspects

From a technical standpoint, the Thamma Movie Analysis reveals mixed results. The VFX work is competent without being exceptional, the soundtrack mildly engaging, and the production design effective in parts. Rashmika’s presence brings visual warmth, yet her inconsistent accent remains distracting. Paresh Rawal’s and Abhishek Banerjee’s cameos add fleeting wit but cannot mask the screenplay’s structural fatigue.

Ultimately, this Thamma Movie Review concludes that the film aims high but lands shallow. Its potential for dark romanticism is overshadowed by disjointed storytelling, underwritten characters, and humour that never quite lands. The heart wants to bleed for it, but the pulse never quickens.