Story, Screenplay, Direction : Gunasekhar
Producer : Gunasekhar | Raagini Guna
Cast : Anushka Shetty, Allu Arjun, Rana Daggubati, Vikramjeet Virk, Prakash Raj, Krishnam Raju, Nithya Menen
Music : Ilaiyaraaja
Cinematography : Ajayan Vincent
Editing : A. Sreekar Prasad
Production company : Gunaa Team Works
Run Time : 158 mins

With the season studded with fantasy and period films, Rudramadevi starring Anushka Shetty, Rana Daggubati and Allu Arjun in lead roles. The film is directed and produced by Gunasekhar with musical score by Maestro Ilayaraja and art by Thotta Tharani.

Born in the Kakatiya dynasty, Rudrama is a princess born in the family, but due to some circumstances and to avoid the confrontations from the neighbouring territories, the elders designate her as boy naming her as Rudradeva. After many years, in spite of knowing about her identity as a girl Rudrama manages to maintain the secrecy. But sooner, the identity is revealed and yet facing all the hurdles, the film speaks about the tale of the striving queen to save her kingdom.

In accordance to the nativity, we have a depth of history owing to different regions and Rudramadevi as the name suggests has been one of the most prominent rulers.. Although the drama here is fictional events, the director has implemented an interesting plot of women empowerment. Storytelling is an integral part of Indian culture, especially when it comes to period genre, it enhances more fascination, when we read in our academic history syllabus. The storytelling is quite impressive, but the way, it is narrated on the screens seems to be losing the momentum. When we speak about a film with female protagonist, the characters offending her antagonists should be someone like herculean devils, but they look like a model. Technically, the CG works are appreciable, but it could have been intensely pushed to the next level to have an international standards. In fact, having seen a movie like Baahubali coming from the same industry, it turns out to be a mediocre on comparison. Musical score by Ilayaraja is appreciable; especially his background score, but the songs don’t get a proper placement. In some places, there is no proper synch between the visuals, situations and music. The art work by Thotta Tharani is commendable.

Anushka has strained me a lot over this film and it is quite evident that But when it comes to Suman and Aditya are seen as goofy characters. Allu Arjun with his mannerisms and body language has his portions well executed. But his moments are like parallel events, where sometimes we feel he is purposely injected into the movie to enhance the sequences. Rana Daggubati gets his role to perfection… Prakash Raj as counselor is okay. Nithya Menen albeit her minima; portion does justice to her role and Catherine Tresa is seen as Allu’s pair, but with her glittery skimpy costumes…

On the whole, Rudramadevi holds some prominence for its grandeur and some good performances. If it was done with a good top-notch technical aspects and an engaging screenplay, the film would have been better.

19.8 C
New York

96 and Merku Thodarchi Malai – Are the ‘Pain’ factors the main intention of writers?

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96 and Merku Thodarchi Malai – Are the ‘Pain’ factors the main intention of writers?

Pain and Joy are integral part of our lives and any art work based on these elements has obviously captured our hearts. However, with a much a deeper analysis, it comes so much blatantly revealed that ‘PAIN’ and ‘MISERY’ have turned to be the deepest part of our consciousness. Well, this instance can be illustrated in a much simpler note. There are several proverbs and quotes we come across in our lives. Although, there are certain quotes and philosophical lines that are based on positive attributes, what actually gains our attention are the bittersweet ones like letting go of someone you love or something that pecks us emotionally.

Well, this cannot be very much related to both these films that were last year. Yes, they are critically acclaimed and of course, these movies have possessed every element to grab our attention. Nonetheless, just taking an imaginary ride to the moment, where the filmmakers of these movie had dropped the first single line idea on their papers. For example, when Prem Kumar had ideated the one line of 96 – It could have been probably put this way – Two childhood lovers meet in reunion meet over an evening. Obviously, the next thing would have been, they don’t get united rather split up in pain by end. Although, Merku Thodarchi Malai distinctly throws light upon the anthropological and realistic lifestyle of the people across Western Ghats, it again gives us a moment to sit back and think, the first one line that filmmaker Lenin Bharathi had written. A young man’s dream of owning a land on the Western Ghats gets collapsed due to the contemporary issues. Yes, there isn’t nothing to blame about the story’s premise. However, why not a positive ending?

Yes, this isn’t something confined to our region, but this happens to be the ritual practice of world’s most acclaimed movies. Be it a love story or any genre that has positive ending script, it either gains the verdict – A feel-good love story or neat time pass entertainer. But offer the audience them a sweet dish with some bitter ingredients, it becomes a masterpiece. Even the Oscar winning 1997 foreign film ‘Life is Beautiful’ had a similar emotional punch. The film’s genre is comedy drama and you’ll keep laughing out till the end. (P.S. Most of the comedy sequences were lifted from actor Vijay’s yesteryear movie ‘Youth’). But then, the climax just shoots an inevitable lump in our throats.

So we don’t mean to say that audiences enjoy the movies with bitter endings nor the creators of such works. In other words, there is a famous proverb – The Life you’re not happy with now is someone’s heaven actually. So be happy with what you have. But then, what occupies more of our minds is what we don’t have… So this could probably a propelling factor to get attracted towards any literary art works or films that has bitter endings.

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