Indra Review – A Decent Murder Mystery with Fresh Twists

Indra Review – A Decent Murder Mystery with Fresh Twists

When police officer Indra (Vasanth Ravi) is suspended after causing an accident, he drowns himself in alcohol—only to end up losing his vision. At the same time, a series of gruesome murders grips the city. With sightless determination, Indra must crack the case, hunt down the killer, and confront whether he can ever regain his vision.

The film’s opening might remind you of Mumbai Police (cop as suspect), Por Thozhil (serial killings), or even Mysskin’s Psycho (visually impaired protagonist). But while echoes of these films exist, Indra quickly shifts into its own space with a distinctive premise and execution.

What works in favor of the film is debutant director Sabarish Nanda’s intent to go beyond “content-driven” narration, shaping it into an engaging theatrical experience. The technical team elevates the thriller mood—especially the impactful sound design and background score, which sharpen the tension. Cinematography adds depth with its moody tones, and the neat editing ensures the runtime feels crisp.

On the performance side, Vasanth Ravi delivers a steady act, fitting the role of a cop with restrained intensity—though with stronger direction and scripts, he could push his presence further. Suniel impresses with a standout performance, while Mehreen charms with her screen presence, even if a little polish in expressions could enhance her appeal. Anaikha, on the other hand, shines with a striking performance, while a surprise appearance in her track adds intrigue.

The highlights? The pre-interval face-off, the gripping flashback sequence, and the final revelation.

Indra isn’t a pathbreaking thriller, but it’s a neatly packed, engaging investigative drama that balances familiarity with freshness. At 128 minutes, it’s a passable yet satisfying watch.